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DTSTART;TZID=America/Toronto:20190419T193000
DTEND;TZID=America/Toronto:20190419T193000
DTSTAMP:20260404T080703
CREATED:20180606T152904Z
LAST-MODIFIED:20190410T145141Z
UID:26407-1555702200-1555702200@grandphilchoir.com
SUMMARY:Bach St. Matthew Passion
DESCRIPTION:Buy Tickets\nJoin our Good Friday tradition of a master work by J.S. Bach. His St. Matthew Passion invites the listener to reflect on the perspectives of the different players in this beautiful and redemptive account. \nBach St. Matthew Passion \nIsaiah Bell – Evangelist\nDaniel Okulitch – Christus\nEstelí Gomez – Soprano\nAllyson McHardy – Mezzo-Soprano\nAsitha Tennekoon – Tenor\nDaniel Lichti – Baritone \nKitchener-Waterloo Symphony\nGrand Philharmonic Children’s Choir and Youth Choir\nGrand Philharmonic Choir\nMark Vuorinen – Conductor \nGood Friday\, April 19th\, 7:30pm\nCentre in the Square\, Kitchener \nThe singing of the Passion narrative has been part of Holy Week liturgies since at least the fourth century. Early forms began as recitations by a single cantor\, intoning all of the roles. By the ninth century\, manuscripts reveal that indications for the tempo\, relative pitch and volume of the recitation of these texts had been prescribed. In the 12th century\, fixed pitches for the words of the Evangelist\, Christ\, and the crowds had been set by using symbolic letters in the margins. These printed rubrics are the precursors to fully composed polyphonic settings\, which abound in the voice of all four Gospel-tellers from at least the fifteenth century on. These texts form the backbone of the Christian faith and have served as the seeds of profound musical composition for centuries. \nFrom the middle of the 17th century\, composers began to add non-biblical texts to the Passion in the form of arias and choruses as well as independent instrumental movements. Familiar Lutheran hymns or chorales were interpolated in Protestant Germany reminding the participants that the ownership of this liturgical practice belonged squarely to the people. \nWhen Johann Sebastian Bach arrived in Leipzig to take up the post of Cantor at the Thomaskirche in 1723\, the singing of elaborate settings of the Passion narrative was a relatively new tradition. Historically\, Good Friday at the Thomaskirche saw the singing of a simple four-part setting of the Passion from the 16 th Century by Johann Walter\, a contemporary of Martin Luther. The conservative leadership of the Thomaskirche may have liked to see that tradition remain. But\, ever since Georg Philipp Telemann had written a Passion oratorio for the ‘New Church’ across town in 1717\, Bach’s predecessor\, Johann Kuhnau\, had tried to persuade the Leipzig consistory to allow for the performance of a new “figural style” Passion to be sung on Good Friday. Eventually\, the consistory\, observing churchgoers flocking across town to the ‘New Church’ for Good Friday liturgical celebrations\, relented and allowed Kuhnau to prepare\, and perform a new setting of the St. Mark Passion with biblical narrative\, reflective chorales and free poetry in the form of arias in 1721. And so\, by the time of Bach’s arrival in Leipzig two years later\, a new tradition for the afternoon Vespers liturgy on Good Friday had emerged. It is a point of great interest\, and perhaps a little pride\, then\, that the long tradition of singing Passion oratorios on Good Friday by this choir\, in Waterloo Region\, has a longer history than that which Bach inherited in 1723. \nThe St. Matthew Passion was first performed on Good Friday\, April 11\, 1727\, though documentary evidence suggests that Bach had started on it much earlier\, perhaps hoping that it would be ready for his second Easter in Leipzig in 1725. But\, it would be another two years before his second Passion setting was ready. So a revised version of the St. John Passion\, heard in 1724 was remounted in 1725\, and a year later Bach returned to a St. Mark Passion he had performed some years ago in Weimar by Friedrich Nicolaus Brauns. Bach\, it seems\, wanted to make his second Passion setting a personal triumph\, taking the necessary time to complete what would become his grandest work. \nFirst Bach had to set out to find a text. One of the requirements of the Leipzig consistory for Passion texts was that biblical narratives didn’t stray from their biblical sources. This stipulation meant that the popular models by librettists like Barthold Heinrich Brockes\, which were in wide use elsewhere would not pass muster at the Thomaskirche because they substituted biblical text with rhymed paraphrase. Eventually\, Bach settled on a libretto that interpolated contemporary poetry and Lutheran chorales into the biblical account of the Passion according to Matthew by Christian Friedrich Henrici\, known by his pen-name Picander. Whether Bach set out to commission Picander for a text or Picander came to Bach is unclear. Nevertheless\, it is obvious that the two artists worked\nclosely on the collaboration. \nPicander’s text and Bach’s music set two full chapters\, 26 and 27\, of Matthew’s gospel. With a careful ear to a sense of pacing Bach and Picander interposed fifteen reflective texts of free poetry. Each brings the dramatic activity to a brief pause\, allowing the personal\, collective voice of the aria texts to comment on the action that has just taken place. The narrative is made entirely personal through these extraordinary meditations: Peter’s guilt in denying Christ is made universal in the stunning aria Erbarme dich and the collective mourning that follows Christ’s death is reflected in the beautiful Mache dich\, mein Herze rein. These\, of course\, are just two examples. It is these reflective pillars take that take on the character of a musical Stations of the Cross\, each encouraging Bach’s congregants towards a truer\, purer devotion. \nIn the St. Matthew Passion Bach used every available musical form: recitatives\, which relate the story\, ariosos and arias\, chorales and chorale fantasias (such as the opening and closing movements of Part I). He uses dance forms in the arias and many of the choruses and sets apart the words of Christ by surrounding them in a halo of strings. And\, the use of the unusual (for Bach) double choir and orchestra demonstrate that his ambition for this work was far beyond that of any other of its kind. \nDemonstrating that he believed the St. Matthew Passion to be his most significant work\, Bach returned to his St. Matthew Passion three more times at the Thomaskirche and took extraordinary care in creating a calligraphic fair copy score\, meticulously reproduced and restored by its composer. \nWe\, as performers and listeners\, have inherited a truly masterful work and are the beneficiaries of its unequalled genius. \nNotes by Mark Vuorinen
URL:https://grandphilchoir.com/event/bach-st-matthew-passion/
LOCATION:Centre In The Square\, 101 Queen St. N\, Kitchener\, Ontario\, N2H 6P7\, Canada
CATEGORIES:Arts & Recreation,Children's Choir,Concert,Grand Philharmonic Choir,Youth Choir
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/ST.-MATTHEW-PASSION.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190323T193000
DTEND;TZID=America/Toronto:20190323T193000
DTSTAMP:20260404T080703
CREATED:20180606T151726Z
LAST-MODIFIED:20190221T185013Z
UID:26404-1553369400-1553369400@grandphilchoir.com
SUMMARY:Tudor Splendour
DESCRIPTION:Buy Tickets\nEnglish Renaissance choral music is a garden in full bloom! Experience the glorious polyphony of Tallis\, Byrd and Sheppard. Then\, compare with devotional contemporary works\, including Emily Walker’s exquisitely crafted\, serene I Asked of God. At this concert\, we will also present the world premiere of the winning work in our 2019 GPC Choral Works Competition — Sonnet 18\, by Rémi St-Jacques. \nLearn more about this exciting new composition here. \nTudor Splendour \nSheppard: Media Vita\nByrd: Mass in 4 Voices\nAllan: In paradisum\nWalker: I Asked of God\nAnd more! \nGrand Philharmonic Chamber Singers\nMark Vuorinen – Conductor \nMarch 23rd\, 7:30 pm\nAnglican Church of St. John the Evangelist\, Kitchener
URL:https://grandphilchoir.com/event/tudor-splendour/
LOCATION:Anglican Church of St. John the Evangelist\, 23 Water St N\, Kitchener\, Ontario\, N2H 5A4\, Canada
CATEGORIES:Arts & Recreation,Concert,Grand Philharmonic Chamber Singers
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/TUDOR-SPLENDOUR.jpeg
ORGANIZER;CN="Grand Philharmonic Choir":MAILTO:info@grandphilchoir.com
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20190302T193000
DTEND;TZID=America/Toronto:20190302T193000
DTSTAMP:20260404T080703
CREATED:20180606T150243Z
LAST-MODIFIED:20190226T121527Z
UID:26400-1551555000-1551555000@grandphilchoir.com
SUMMARY:Beauty Within
DESCRIPTION:Buy Tickets\nAn evening of gorgeous music\, written from the heart! Immerse yourself in Brahms’ Nänie\, Schicksalslied in new chamber instrumentation\, and his well-loved Alto Rhapsody. Also\, Eric Whitacre’s Five Hebrew Love Songs\, written for his wife; a beautiful setting of James Joyce’s poem The Lover’s Chant\, by brilliant young Canadian composer Matthew Emery; and much more. \nBeauty Within \nJennifer Enns Modolo – Mezzo-Soprano \nJames Mason – Oboe\nJulie Baumgartel – Violin\nMargaret Jordan-Gay – Cello\nPeter Shackelton – Clarinet\nAnnika Borrmann – Piano\nIan VanderBurgh – Piano \nGrand Philharmonic Choir\nMark Vuorinen – Conductor \nSaturday March 2\, 7:30pm\nSt. Peter’s Lutheran Church\n49 Queen St. North\, Kitchener
URL:https://grandphilchoir.com/event/beauty-within/
LOCATION:St. Peter’s Lutheran Church\, 49 Queen St. N\, Kitchener\, Ontario\, N2H 2G9\, Canada
CATEGORIES:Arts & Recreation,Concert,Grand Philharmonic Choir
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/BEAUTY-WITHIN.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181208T193000
DTEND;TZID=America/Toronto:20181208T193000
DTSTAMP:20260404T080703
CREATED:20180606T144847Z
LAST-MODIFIED:20180914T221556Z
UID:26397-1544297400-1544297400@grandphilchoir.com
SUMMARY:Messiah
DESCRIPTION:Buy Tickets\nWhether this is your very first Messiah\, or whether you have heard it countless times\, this is a very special experience. Every year\, it is fresh and full of wonder\, yet timeless and traditional. Just like the Christmas season itself. \nMessiah \nMeredith Hall – Soprano\nAndrea Hill – Mezzo-Soprano\nCharles Sy – Tenor\nPhillip Addis – Bass \nKitchener-Waterloo Symphony\nGrand Philharmonic Choir\nMark Vuorinen – Conductor \nSaturday December 8th\, 7:30pm\nCentre in the Square – Kitchener
URL:https://grandphilchoir.com/event/messiah-2/
LOCATION:Centre In The Square\, 101 Queen St. N\, Kitchener\, Ontario\, N2H 6P7\, Canada
CATEGORIES:Arts & Recreation,Concert,Grand Philharmonic Choir
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/MESSIAH-2018.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181201T153000
DTEND;TZID=America/Toronto:20181201T170000
DTSTAMP:20260404T080703
CREATED:20181026T120924Z
LAST-MODIFIED:20181126T145534Z
UID:26788-1543678200-1543683600@grandphilchoir.com
SUMMARY:In December
DESCRIPTION:Buy Tickets\nIn December \nGrand Philharmonic Children’s Choir\nGrand Philharmonic Youth Choir \nSaturday December 1st\, 3:30pm\nFirst United Church\, Waterloo
URL:https://grandphilchoir.com/event/in-december/
LOCATION:First United Church\, 16 William Street West\, Waterloo\, Ontario\, N2L 1J3\, Canada
CATEGORIES:Arts & Recreation,Children's Choir,Concert,Youth Choir
ORGANIZER;CN="Grand Philharmonic Choir":MAILTO:info@grandphilchoir.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181118T150000
DTEND;TZID=America/Toronto:20181118T150000
DTSTAMP:20260404T080703
CREATED:20180607T134808Z
LAST-MODIFIED:20181115T163300Z
UID:26437-1542553200-1542553200@grandphilchoir.com
SUMMARY:Considering Matthew Shepard - Sunday Afternoon
DESCRIPTION:Buy Tickets\nIn October 1998\, university student Matthew Shepard was targeted for his sexuality. He was kidnapped\, severely beaten\, tied to a fence and left to die in a lonely field. \nTwenty years after that terrible event\, we perform Craig Hella Johnson’s bold and transcendent work\, which incorporates a variety of musical styles and texts\, including passages from Matthew’s personal journal. \nThis is the first time this work will be performed in Canada. \nConsidering Matthew Shepard \nGrand Philharmonic Chamber Singers\nUniversity of Waterloo Chamber Choir\nMark Vuorinen – Conductor \nSunday November 18th\, 3:00pm\nUniversity of Waterloo Humanities Theatre \nThe work is 100 minutes long and will be performed without an intermission. \nWe are also presenting this show on the evening of Saturday November 17th\, at 7:30pm at the Humanities Theatre.  Click here to be taken to that event page. \n***Please bear in mind: Although the overall themes in this work are of hope\, compassion and equality\, this concert includes strong language and upsetting content.*** \nFor patrons with accessibility needs for parking\, please make arrangements beforehand by calling the box office between noon and 5 at 519-888-4908.\nParking is available in Lot H across the Ring Road from the Theatre. Enter at the University Avenue main entrance\, turn left and left again into the lot. Exit with credit card for a flat charge of $5.\nAlternatively\, pay-and-display parking is available in Lots A and C across University Avenue from the main entrance. Pay-and-display parking allows cash payments.
URL:https://grandphilchoir.com/event/considering-matthew-shepard-afternoon/
LOCATION:University of Waterloo Humanities Theatre\, 200 University Ave. West\, Waterloo\, Ontario\, N2L 3G1\, Canada
CATEGORIES:Arts & Recreation,Concert,Grand Philharmonic Chamber Singers
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/CONSIDERING-MATTHEW-SHEPARD.jpg
ORGANIZER;CN="Grand Philharmonic Choir":MAILTO:info@grandphilchoir.com
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181117T193000
DTEND;TZID=America/Toronto:20181117T193000
DTSTAMP:20260404T080703
CREATED:20180606T143631Z
LAST-MODIFIED:20181115T163331Z
UID:26392-1542483000-1542483000@grandphilchoir.com
SUMMARY:Considering Matthew Shepard - Saturday Evening
DESCRIPTION:Buy Tickets\nIn October 1998\, university student Matthew Shepard was targeted for his sexuality. He was kidnapped\, severely beaten\, tied to a fence and left to die in a lonely field. \nTwenty years after that terrible event\, we perform Craig Hella Johnson’s bold and transcendent work\, which incorporates a variety of musical styles and texts\, including passages from Matthew’s personal journal. \nThis is the first time this work will be performed in Canada. \nConsidering Matthew Shepard \nGrand Philharmonic Chamber Singers\nUniversity of Waterloo Chamber Choir\nMark Vuorinen – Conductor \nSaturday November 17th\, 7:30pm\nUniversity of Waterloo Humanities Theatre \nThe work is 100 minutes long and will be performed without an intermission. \nWe are also presenting this show on the afternoon of Sunday November 18th\, at 3:00pm at the Humanities Theatre.  Click here to be taken to that event page. \n***Please bear in mind: Although the overall themes in this work are of hope\, compassion and equality\, this concert includes strong language and upsetting content.*** \nFor patrons with accessibility needs for parking\, please make arrangements beforehand by calling the box office between noon and 5 at 519-888-4908.\nParking is available in Lot H across the Ring Road from the Theatre. Enter at the University Avenue main entrance\, turn left and left again into the lot. Exit with credit card for a flat charge of $5.\nAlternatively\, pay-and-display parking is available in Lots A and C across University Avenue from the main entrance. Pay-and-display parking allows cash payments.
URL:https://grandphilchoir.com/event/considering-matthew-shepard/
LOCATION:University of Waterloo Humanities Theatre\, 200 University Ave. West\, Waterloo\, Ontario\, N2L 3G1\, Canada
CATEGORIES:Arts & Recreation,Concert,Grand Philharmonic Chamber Singers
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/CONSIDERING-MATTHEW-SHEPARD.jpg
ORGANIZER;CN="Grand Philharmonic Choir":MAILTO:info@grandphilchoir.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20181020T193000
DTEND;TZID=America/Toronto:20181020T193000
DTSTAMP:20260404T080703
CREATED:20180606T141739Z
LAST-MODIFIED:20181015T164052Z
UID:26384-1540063800-1540063800@grandphilchoir.com
SUMMARY:Mozart Requiem
DESCRIPTION:Buy Tickets\nMozart died while writing his own Requiem. Perhaps that is why we still find this music – by turn terrifying\, heartbreaking and serene\, so compelling. \nAlso at this concert\, you’ll experience powerful photographs Edward Burtynsky on the big screen while hearing soaring works by Tulev and Gjeilo. \nTry Us Out! For this concert only\, all tickets are $40 or less! That’s less than half the regular cost for best seats in the house. \nCome early to see Burtynsky’s compelling photographs up close! From 5:30 p.m. on Saturday\, the Kitchener-Waterloo Art Gallery will display some of the Burtynsky photos in its own collection. A curator will be on hand to talk about the art before the concert and also at intermission. \nThe Art Gallery is located in the same building\, just across the hall from the concert theatre beside the box office. \nMozart Requiem\nGjeilo: Song of the Universal; Luminous Light of the Soul\nTulev: Psalm 23 \nEllen McAteer – Soprano\nChristina Stelmacovich – Mezzo-Soprano\nJean-Philippe Lazure – Tenor\nClarence Frazer – Baritone \nKitchener-Waterloo Symphony\nGrand Philharmonic Choir\nMark Vuorinen – Conductor \nSaturday October 20th\, 7:30pm\nCentre in the Square\, Kitchener \n 
URL:https://grandphilchoir.com/event/mozart-requiem/
LOCATION:Centre In The Square\, 101 Queen St. N\, Kitchener\, Ontario\, N2H 6P7\, Canada
CATEGORIES:Arts & Recreation,Concert,Grand Philharmonic Choir
ATTACH;FMTTYPE=image/jpeg:https://grandphilchoir.com/wp-content/uploads/2018/06/MOZART-REQUIEM.jpg
ORGANIZER;CN="Grand Philharmonic Choir":MAILTO:info@grandphilchoir.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180407T190000
DTEND;TZID=America/Toronto:20180407T230000
DTSTAMP:20260404T080703
CREATED:20180129T212840Z
LAST-MODIFIED:20180326T132332Z
UID:26186-1523127600-1523142000@grandphilchoir.com
SUMMARY:Roaring '20s Bash
DESCRIPTION:Buy Tickets	\n	\n\nRoaring 20s Bash \nA Gala event to benefit the Grand Philharmonic Choir!\nApril 7 2018\, 7 pm\nCentre in the Square\, Kitchener \nEnter by the stage door and be escorted to our glittering underground speakeasy! Give the secret password to get into the party of a lifetime! \n* Enjoy jazz with the Tim Louis Trio!\n* Dance with Hepcat Swing!\n* Sparkling welcome drink (cash bar thereafter)\n* Delicious food from Public Kitchen & Bar\n* With guest host and Prohibition storyteller extraordinaire\, Dr. Andrew Hunt!\n* Come in 1920s costume — you could win a prize!\n* Divine silent auction with unique items!\n* Games aplenty\n* Partial tax receipt \nTickets $95 each\nV.I.P tickets $150 each (valet parking and your own table) — only four to be sold \n 
URL:https://grandphilchoir.com/event/roaring-20s-bash/
LOCATION:Centre In The Square\, 101 Queen St. N\, Kitchener\, Ontario\, N2H 6P7\, Canada
CATEGORIES:Arts & Recreation,Community,GPC Choir,Grand Philharmonic Choir
ATTACH;FMTTYPE=image/png:https://grandphilchoir.com/wp-content/uploads/2018/01/dancers-e1517536594502.png
ORGANIZER;CN="Grand Philharmonic Choir":MAILTO:info@grandphilchoir.com
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